[VIDEO STILLS]
[ WHITE LIGHT: EPISODE 1: FEARS ]
[ WHITE LIGHT: EPISODE 2: PILLOW ]
[ WHITE LIGHT: EPISODE 3: STRINGS ]
[ WHITE LIGHT: EPISODE 8: MIRROR OR BIRTH OF THE WHITE LIGHT ]
THIS PERFORMATIVE ACTION OF CREATING AND INHABITING THE WHITE CUBE HAPPENED IN 2015 DURING ART LICKS WEEKEND IN LONDON. EDITED IN A SERIES OF INTERCONNECTED VIDEO EPISODES IN 2016 - A PROJECT AIMS TO BE REALISED AS AN IMMERSIVE VIDEO INSTULLATIONS ON MULTIPLE MONITORS.
ELEMENTS OF PHYSICALLY BUILT SPACE COULD BE ALSO PRESENT. THEN, MAKING VIDEO INSTALLATION TO BE INTEGRATED PART OF A MIXED MEDIA ENVIRONMENT.
=> WHITE LIGHT => NOT-MASTERPLANNED FILM PRODUCTION
=> 1 - 4 OCTOBER 2015
=> LONDON UK
=> IN CONVERSATION WITH 'The cReature Film' 2012
=> WHITE CUBE => SITE-SPECIFIC IMMERSIVE INSTALLATION TRANSGRESSING A GALLERY SPACE
[ THROUGHOUT MY ART PRACTICE I AM STRIVING TO GRASP THE FUNDAMENTS OF HUMAN EXISTENCE, THE FIRST FILM 'The creature' DEDICATED TO A BITTER-IRONIC INVESTIGATION OF BIRTH-LIFE-DEATH SEQUENCE HAS HAPPENED IN MY FORMER THIRD-FLOOR STUDIO. AND LASTED FOR THREE DAYS. SOMEONE, WHO WAS NOT ME, HAD BEEN INHABITING MY STUDIO FOR THREE DAYS. IT HAD HAPPENED TO BE A CRUCIAL EXPERIENCE AS IT WAS. I STOPPED MAKING ANY KIND OF OBJECTS AND PAINTINGS. DRIVEN TO IMMERSIVE ENVIRONMENTS, I TURNED TOWARDS CREATING SPACES OF A TOTAL EXPERIENCE WHERE ALL THE KNOWN AND UNKNOW PERCEPTIONS ARE INVOLVED AND BEING ACTIVATED. THIS YEAR, FOR ART LICKS WEEKEND 2015, - I AM INVITING VISITORS TO MY STUDIO ON THE FIRTS-FLOOR, WHERE AN INVERSION OF 'The creature Film' WILL BE PERFORMED. IN EFFECT, IT IS NOT A PERFORMANCE - BUT RATHER AN INVITATION TO EXPERIENCE A TOTALLY NOT-MASTERPLANNED FILM PRODUCTION." - ULIANA APATINA, ARTIST http://artlicksweekend.com/event/white-light/ ]
[[[ WHITE LIGHT ]]]
THOUGH WHITE LIGHT IS CONVERSING WITH The cREATURE, STRATEGICALLY IT ACQUIRES A VERY DIFFERENT VIBE - IN SPITE OF CONTAINING HYPER-SENSITIVE EPISODES OF FEARS, FRUSTRATIONS, MEMORIES AND CONTEMPORARY TECHNOLOGICAL PARANOIAS, IT IS A HAPPY FILM SPICED WITH HUMOUR AND SELF ACCEPTANCE.
SHARPLY DIVIDED INTO TEN INTERCONNECTED EPISODES WHITE LIGHT IS INTENDED TO BE SHOWN ON SEPARATE SIMULTANEOUSLY RUN MONITORS IN A MODE OF AN IMMERSIVE VIDEO/MIXED MEDIA INSTALLATION.
BEING RELATED NOT ONLY TO The creature Film BUT ALSO TO SACRED DANGER, REINVENTING A SACRED SPACE OF HUMANITY, THROUGH MIMICKING AN ATMOSPHERE OF A STANDARD WHITE CUBE GALLERY SPACE - SACRED SPACE OF CONTEMPORARY ART.
PAINTING THE CUBE WHITE IS ALSO ONE OF THE EPISODES WITH THE ARTIST ACTING AS A UNIVERSAL PAINTER BATTLING WITH AN EMPTY SPACE THROUGH ART HISTORICAL REFERENCES TO PAINTING PRACTICES AND PROCESSES.
ALL EPISODES COULD BE GROUPED ON CLUSTERS: BEFORE THE WHITE CUBE, INSIDE THE WHITE CUBE, AFTER THE WHITE CUBE, WHITE CUBE.
WHITE CUBE IS A SITE-SPECIFIC IMMERSIVE INSTALLATION.
SHARPLY DIVIDED INTO TEN INTERCONNECTED EPISODES WHITE LIGHT IS INTENDED TO BE SHOWN ON SEPARATE SIMULTANEOUSLY RUN MONITORS IN A MODE OF AN IMMERSIVE VIDEO/MIXED MEDIA INSTALLATION.
BEING RELATED NOT ONLY TO The creature Film BUT ALSO TO SACRED DANGER, REINVENTING A SACRED SPACE OF HUMANITY, THROUGH MIMICKING AN ATMOSPHERE OF A STANDARD WHITE CUBE GALLERY SPACE - SACRED SPACE OF CONTEMPORARY ART.
PAINTING THE CUBE WHITE IS ALSO ONE OF THE EPISODES WITH THE ARTIST ACTING AS A UNIVERSAL PAINTER BATTLING WITH AN EMPTY SPACE THROUGH ART HISTORICAL REFERENCES TO PAINTING PRACTICES AND PROCESSES.
ALL EPISODES COULD BE GROUPED ON CLUSTERS: BEFORE THE WHITE CUBE, INSIDE THE WHITE CUBE, AFTER THE WHITE CUBE, WHITE CUBE.
WHITE CUBE IS A SITE-SPECIFIC IMMERSIVE INSTALLATION.
