As long as each of my installations is developing in a process
of a construction and idea is being shaped during the process of
inhabiting a site, it means that a work itself is a living and
breathable organism and as a consequence a subject to be changed and
developed over the duration of the exhibition.
Therefore, Red Room introduces a new dimension to my art
practice and by being rebuild into Not A Red Room and The Red, - installation is going to have a new
appearance and a meaning each time where its third reincarnation will exist for one day only, which will
be the exhibition closing day.
[Space-analysis]
: it is a little three-grey-walls and one wall-size window space.
With a white ceiling and floor. One wall is made of bricks. There is
a wide low plinth adjoining the window. For long strip lights form a
square on the ceiling. Window is huge – all other volumes are tiny.
Window dissolves the borders between inside and outside, expanding a
tiny space towards infinity. However, three out of six window-frames
are sprayed with translucent frost paint. There is a clear unfrosted
area – a path from one 'door' to the other. This space is
domesticated: there is a private living area behind and beneath the
gallery. Immediacy of the space is provided by a condition of absence
of interim space. As long as a door is open, you are inside the
gallery space. Main and One. There is a great deal of charm in this
mix between the absence of the context and a high level of the
presence of the same context at the same time. The space is
definitely not neutral and and possesses a strong character.
A
continuity of inside-outside relationships are transformed into the
installation itself.
